Right. Time for me to tell you about the best books that I read in 2011. No point mucking around -- let's get to it, hey?
Science Fiction: The Dervish House, by Ian McDonald
This was an insanely difficult choice, and that makes me happy. Both of my honourable mentions would have made worthy picks -- Anathem by Neal Stephenson is the sort of experience that'll stay with me for a long time, and Elizabeth Bear's Jacob's Ladder series (Dust, Chill, and Grail) is some of the best space opera I've ever read.
In the end, though, I'm going with The Dervish House by Ian McDonald (my review here). That's mostly because I think it's more accessible than Anathem. Either you've already read Anathem (or you're planning to), or you'll never consider it; I doubt my recommendation will change that. But I might just be able to convince you to give The Dervish House a look.
Honourable mentions: Anathem by Neal Stephenson, the Jacob's Ladder series by Elizabeth Bear.
Fantasy: Mechanique, by Genevieve Valentine
Calling Mechanique a fantasy novel feels like a gross oversimplification -- it's more like a horror-tinged post-apocalyptic science-fiction-ish fantasy. With a hint of steampunk. Or something. Whatever you want to call it, it's great.
The Mechanical Circus Tresaulti is a last bit of magic in a world ground down by endless war. But the magic has a sinister edge, and the Circus fights constantly to hold itself together, against the world and against a simmering internal conflict between two of its performers.
The characters here are rich and complex, but the writing is sparse and sharp-edged. The story is grim, but really compelling. It's Genevieve Valentine's first novel, and I can't really recommend it enough. I'm really hoping it pops up when awards season rolls around in 2012.
Honourable mentions: The Hundred Thousand Kingdoms by N. K. Jemisin, Zoo City by Lauren Beukes.
Other Thing: the Eclipse anthologies, edited by Jonathan Strahan
I didn't read enough literary fiction in 2011 to call it out separately, but I did read a bunch of comics and games and short story collections, so I've decided to go with Other Thing as my last category. I want to recommend to you the Eclipse anthologies, edited by Jonathan Strahan -- I read Eclipse One and the better part of Eclipse Three in 2011, and Eclipse Two a few years back.
They are a series of non-themed genre anthologies, and I think they're a really great way to expose yourself to a wide variety of unusual, interesting stuff. I've discovered a number of new favourite authors in the Eclipse anthologies, as well as read some really great stories. The absence of strict genre boundaries is really refreshing -- it makes starting each new story a small adventure. A great way to broaden your reading, I reckon.
Honourable mentions: Ghostopolis, a graphic novel by Doug TenNapel, and Do: Pilgrims of the Flying Temple, a storytelling game by Daniel Solis.
So that's it! Time to think about which books I'm going to nominate for the Hugo Awards in 2012...
Brace yourselves: this post contains footnotes and a graph!
I may be a little bit slow, but I'd like to talk today about NPR's Top 100 Science-Fiction and Fantasy Books, which was announced on August 11. This was a popularity contest: first, they asked readers to nominate their favourite science fiction and fantasy books. Then, with the help of a panel of three experts, they narrowed the list of nominees to a few hundred books. Finally, they asked people to vote.
I'm just going to get this out of the way before I go any further: there are a lot of really great books on that list. You could do worse than use that list to guide your science fiction and fantasy reading. Of course, I think you could do a lot better, but that basically just means it's a list on the internet, right?
Here are four things I could complain about, but which I'm going to (mostly) skip. 1: The gender balance isn't good -- by my count, only 15 of the 100 entries were written by women. 2: Is Jules Verne really the only non-English, non-American writer on the list? 3: Why do we always group science fiction and fantasy together on lists like this? 4: The decision to allow series to count as one entry, while perhaps practical, has produced some bizarre results. Do all 14 books of The Vorkosigan Saga deserve to sit at #58? What about the 33 books of The Xanth Series at #99?
Instead of talking about all that stuff, I'd like to focus on the thing that I first noticed: the science fiction portion of the list seems to be dominated by older books, whereas the fantasy portion is full of newer stuff. I checked my gut feeling by finding the year of first publication for each of the entries in the list. I tried to include every book in a series written by the original author (1), and I split them up into fantasy and science fiction as best I could (2).
I ended up with 276 books, 177 of them fantasy and the remaining 99 science fiction. Here's a graph (I know! A graph!) showing the number of books published per decade since the 1920s (3) in each category:
See what I mean? Only 10 of the science fiction novels on the list were written in the last decade (that's roughly 10%), whereas 74 of the fantasy novels (that's 42%) were written since 2000. The most popular decade for science fiction novels in this list was the 1990s, although it's interesting to note that if you exclude sequels, the most popular decade for science fiction becomes the 1960s. Even excluding sequels, the 2000s remain the most popular decade for fantasy in this list.
I suppose this probably isn't surprising, although it does make a little sad. We do seem to be in a bit of a heyday for fantasy (4), and we do seem to constantly hear about science fiction sales being in decline. I could spend a while speculating on the reasons why older science fiction books dominated this survey -- aging readership? A decline in visibility on bookstore shelves? A more demanding audience? -- but I'm not sure how useful that would be.
It is interesting to ponder, though, whether this is a result of a decline in the accessibility of science fiction to the average reader. That's certainly something I worry about, and it's perhaps suggestive that two of the five original (non-sequel) science fiction novels in the list that were written post-2000 are quite mainstream (The Road by Cormac McCarthy and The Time Traveler's Wife by Audrey Niffenegger).
Instead of teeth-gnashing, though, I want to try making a suggestion: next time you're nominating or voting for a list like this, when you're reminding yourself to think of female writers and writers from places other than England and America, give a bit of though to novels that were written in the last decade. And if you're planning to collate a list like this, why not restrict it to novels written after 1990? Because we all know that Fahrenheit 451 and Stranger in a Strange Land are worth reading by now, right?
What would you put in your post-1990 Top 10?
I'm pretty sure I'll be back here soon -- by my reckoning, the 2011 Hugo Award winners are due to be announced in about 7 hours!
(1) That means none of the Brian Herbert/Kevin J. Anderson Dune books, no Brandon Sanderson Wheel of Time, no Eoin Colfer Hitchhiker's Guide to the Galaxy, and none of the various Foundation spin-offs.
(2) We could probably argue the toss on a few of these. Where I didn't know, or wasn't sure, I tried to use the Wikipedia entry for a book (or series) as a guide.
(3) There were five books in the list published prior to 1920, all of the science fiction. The first was Frankenstein, by Mary Wollstonecraft Shelley, in 1818.
(4) It's worth nothing here that young adult books -- Twilight, Harry Potter, Hunger Games, His Dark Materials -- were specifically excluded from this survey. It's just a guess, and maybe a pessimistic one, but if they'd been included I suspect they would have been more likely to nudge SF books out of the top hundred, rather than fantasy ones.
It really is tough finding time to do anything productive in December, isn't it? The SSWriMo debrief that I promised is coming -- I have re-read two of the three stories I wrote during November, and the good news is they're not as bad as I feared they might be. I'm plugging away at some edits to the first one, "Beacons". I don't think it will be long before I'm ready to unleash it on anyone who will promise to read it and give me feedback.
For now, I thought I'd give you my picks for best books that I read this year. It was a good year all round -- I read lots of stuff, and lots of it was good.
Science Fiction: The Quantum Thief, by Hannu Rajaniemi
I've already spoken at length about this one, so I won't go on about it too much again. I'm not sure if it was actually the best SF book I read this year, but it was certainly the one I had the most fun reading. It was full of the sorts of things I like in my science fiction. I'm excited for more novels from Rajaniemi.
Honourable mentions: The City & the City, by China Mieville, and The Windup Girl, by Paolo Bacigalupi. Both deserving Hugo Award winners this year.
Fantasy: Finch, by Jeff Vandermeer
This one is about a detective called Finch, living in the conquered city of Ambergris. The city is falling apart, infested by the fungal technology of its conquerors, the equally-fungal gray caps. Finch, who is technically a gray cap collaborator, is called in to investigate the unusual murders of one of the invaders and a human man. Things spin wildly out of control from there.
This book just drips with atmosphere. It is beautifully written, almost post-apocalyptic. Grim, but really compelling. It reminded me a little of Perdido Street Station, by China Mieville. If the New Weird exists as a genre, Finch certainly sits well within it.
Honourable mentions: Sun of Suns, by Karl Schroeder, and Kraken, by China Mieville. I expect to see Kraken do very well at next year's Hugo Awards.
Literary Fiction: Extremely Loud and Incredibly Close, by Jonathan Safran Foer
Typically I steer well clear of 9/11 fiction. I only read this one because I joined a book club, and I'm glad that I did. It's about a young Jewish kid called Oskar trying to deal with the death of his father in the World Trade Center attacks. Oskar finds a key in his dad's stuff, and sets about trying to methodically work out which lock in New York it opens. Scattered throughout Oskar's story is the story of his grandparents, both Holocaust survivors.
I doubt I can really explain how lovely this book is. It's sad, and charming, and hopeful, and I think you should read it right now.
Honourable mention: Revolutionary Road, by Richard Yates. One of those few cases where the film adaptation actually does the book justice.
What did you read this year that you really enjoyed?
